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	<title>stefpause.com</title>
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		<title>Eggs and Sausage</title>
		<description><![CDATA[Tom Waits and typography, what’s not to love? ‘Eggs and Sausage’ gets a super nice video courtesy of Jackie Lay, who won a Certificate of Typographic Excellence for it from the TDC. (via DesignCrave)
]]></description>
		<link>http://stefpause.com/music/eggs-and-sausage/</link>
			</item>
	<item>
		<title>Lettercase social font manager</title>
		<description><![CDATA[Lettercase, the first ‘social font manager’. Currently invite-only and from the looks of things still in development, but worth keeping an eye on.
]]></description>
		<link>http://stefpause.com/linked-list/lettercase-social-font-manager/</link>
			</item>
	<item>
		<title>A new global visual language for the BBC’s digital services</title>
		<description><![CDATA[BBC Internet Blog: A new global visual language for the BBC’s digital services. Explains how the BBC unified its visual website style by underpinning its many sites with a grid, the consistent use of colour &#38; icons, and a universal media player. I didn’t know that the Beeb’s styleguide was created by Neville Brody!
]]></description>
		<link>http://stefpause.com/linked-list/new-global-visual-language-for-the-bbc-digital-services/</link>
			</item>
	<item>
		<title>The Graphic Design of Al Qaeda</title>
		<description><![CDATA[Rendering Fear: The Graphic Design of Al Qaeda
]]></description>
		<link>http://stefpause.com/linked-list/the-graphic-design-of-al-qaeda/</link>
			</item>
	<item>
		<title>Chicken vs. Penguin</title>
		<description><![CDATA[Chicken vs. Penguin – cute 2 minute short film by Marko Slavnic which won 1st prize ($100,000) in the Nikon USA ‘Nikon Festival’ competition.
]]></description>
		<link>http://stefpause.com/linked-list/chicken-vs-penguin/</link>
			</item>
	<item>
		<title>Wildlife photographer of the year stripped of his award</title>
		<description><![CDATA[Wildlife photographer of the year stripped of his award &#124; The Guardian. I remember being blown away when I first saw this image – it’s an astounding capture – and thought it rightfully deserved to win the Natural History Museum’s 2009 prize. Unfortunately, though, it appears that the photographer, rather than camping out for months in the wild, instead cheated [...]]]></description>
		<link>http://stefpause.com/linked-list/wildlife-photographer-of-the-year-stripped-of-his-award/</link>
			</item>
	<item>
		<title>Death Penalty Infographic</title>
		<description><![CDATA[Death Row – an infographic detailing where the death penalty is still in use around the world, and where it has been abolished. (hat tip Reprieve)
]]></description>
		<link>http://stefpause.com/linked-list/death-penalty-infographic/</link>
			</item>
	<item>
		<title>Chroma: Design, Architecture and Art in Color</title>
		<description><![CDATA[Book Review – Chroma: Design, Architecture and Art in Color — we make money not art.
]]></description>
		<link>http://stefpause.com/linked-list/chroma-design-architecture-and-art-in-color/</link>
			</item>
	<item>
		<title>Best American Magazine Covers 2009</title>
		<description><![CDATA[ASME – 2009 Best Cover Winners and Finalists.
]]></description>
		<link>http://stefpause.com/linked-list/best-american-magazine-covers-2009/</link>
			</item>
	<item>
		<title>How to Say: Van Gogh</title>
		<description><![CDATA[How to Say: Van Gogh by the BBC Pronunciation Unit.
]]></description>
		<link>http://stefpause.com/linked-list/how-to-say-van-gogh/</link>
			</item>
	<item>
		<title>The Secret History of Typography in the Oxford English Dictionary</title>
		<description><![CDATA[
:—
Citing usage from 1949, the OED calls this mark the dog’s bollocks, which it defines as, “typogr. a colon followed by a dash, regarded as forming a shape resembling the male sexual organs.” This is why I love scrounging around the linguistic scrap heap that is the OED. I always come across a little gold. [...]]]></description>
		<link>http://stefpause.com/linked-list/the-secret-history-of-typography-in-the-oxford-english-dictionary/</link>
			</item>
	<item>
		<title>Werner Herzog Reads Curious George</title>
		<description><![CDATA[Werner Herzog Reads Curious George (via Merlin Mann)
]]></description>
		<link>http://stefpause.com/linked-list/werner-herzog-reads-curious-george/</link>
			</item>
	<item>
		<title>Josef Müller-Brockmann on Leading</title>
		<description><![CDATA[Good leading can carry the eye optically from one line to the next, giving it confidence and stability, and enabling it to absorb and remember more easily what has been read. When reading is smooth and easy, the meaning content of the words is grasped more clearly; they acquire more character and expression and etch [...]]]></description>
		<link>http://stefpause.com/linked-list/josef-muller-brockmann-on-leading/</link>
			</item>
	<item>
		<title>Anouk Rehorek</title>
		<description><![CDATA[Inspirational magazine design by Anouk Rehorek (via AisleOne)
]]></description>
		<link>http://stefpause.com/linked-list/anouk-rehorek/</link>
			</item>
	<item>
		<title>Halsman’s Jumpology</title>
		<description><![CDATA[Phillippe Halsman’s Jump book at the Iconic Photos blog.
]]></description>
		<link>http://stefpause.com/linked-list/jumpology/</link>
			</item>
	<item>
		<title>I Love Typography’s favourite fonts of 2009</title>
		<description><![CDATA[I Love Typography’s favourite fonts of 2009.
]]></description>
		<link>http://stefpause.com/linked-list/i-love-typographys-favourite-fonts-of-2009/</link>
			</item>
	<item>
		<title>I.D.’s Executioners</title>
		<description><![CDATA[I.D.’s Executioners –

The blogosphere was born and the global economy fell to pieces. And yet nothing in the corporate zeitgeist shifted an iota. Though the cells were constantly regenerated, the parent entity remained exactly the same. Like hundreds of American businesses, it was obsessed with short-term profitability, the future be damned. And no one who [...]]]></description>
		<link>http://stefpause.com/linked-list/i-d-%e2%80%99s-executioners/</link>
			</item>
	<item>
		<title>For the love of Ampersands</title>
		<description><![CDATA[300&#38;65 Ampersands (via swissmiss)
]]></description>
		<link>http://stefpause.com/linked-list/for-the-love-of-ampersands/</link>
			</item>
	<item>
		<title>Vitesse: A New Font Family from H&amp;FJ</title>
		<description><![CDATA[

Impeccable work, as ever – a distinctive new slab from H&#38;FJ: Vitesse
]]></description>
		<link>http://stefpause.com/typography/vitesse-from-hfj/</link>
			</item>
	<item>
		<title>Fingal’s Cave</title>
		<description><![CDATA[Fingal’s Cave (via PDN Photo of the Day)
]]></description>
		<link>http://stefpause.com/linked-list/fingals-cave/</link>
			</item>
	<item>
		<title>Earth, the penultimate frontier…</title>
		<description><![CDATA[

OK, OK, last space-themed post for a while, I promise, but I couldn’t resist posting the photographs of Vincent Fournier, they’re astounding. (via Creative Review)
]]></description>
		<link>http://stefpause.com/photography/earth-the-penultimate-frontier/</link>
			</item>
	<item>
		<title>The Vandelles</title>
		<description><![CDATA[

A new release from Si at Spoilt Victorian Child Records, described as ‘very very loud fuzz-drenched guitars’? Oh, go on then.

The Vandelles
]]></description>
		<link>http://stefpause.com/music/the-vandelles/</link>
			</item>
	<item>
		<title>ScreenFonts &#124; The FontFeed</title>
		<description><![CDATA[Speaking of Yves at FontShop, he writes a great semi-regular column on the typography of movie posters called ScreenFonts.
]]></description>
		<link>http://stefpause.com/linked-list/screenfonts/</link>
			</item>
	<item>
		<title>French Anti-Piracy Org Hadopi uses Pirated Font in Logo</title>
		<description><![CDATA[Thoroughly researched, definitive article on how the French anti-piracy organisation Hadopi used a pirated font in its own logo. Great journalism by Yves at The FontFeed.
]]></description>
		<link>http://stefpause.com/linked-list/french-anti-piracy-org-uses-pirated-font-in-logo/</link>
			</item>
	<item>
		<title>Raghu Rai &#124; The Observer</title>
		<description><![CDATA[Interview with Raghu Rai, one of India’s foremost photographers, in The Observer today, along with a small gallery. He’s exhibiting at the Aicon Gallery in London from 22 Jan – 20 Feb.
]]></description>
		<link>http://stefpause.com/linked-list/raghu-rai-the-observer/</link>
			</item>
	<item>
		<title>The myth of the page fold</title>
		<description><![CDATA[Useful evidence-based research from cxpartners on how the ‘page fold’ for websites is not the insurmountable problem that many expect, and how certain measures can be taken to ensure content below the fold gets seen.
]]></description>
		<link>http://stefpause.com/linked-list/the-myth-of-the-page-fold/</link>
			</item>
	<item>
		<title>Under The Milky Way</title>
		<description><![CDATA[

Purely coincidentally, I came across some more beautiful space-themed posters via The Ministry of Type.
]]></description>
		<link>http://stefpause.com/art-design/under-the-milky-way/</link>
			</item>
	<item>
		<title>A practical boarding pass redesign</title>
		<description><![CDATA[

timoni.org — A practical boarding pass redesign — Timoni Grone details the redesign of a boarding pass, factoring in the needs of the passenger and the airport staff. This is what good design entails – function, not just making things ‘look pretty’.
]]></description>
		<link>http://stefpause.com/art-design/a-practical-boarding-pass-redesign/</link>
			</item>
	<item>
		<title>The business card of Paul Rand</title>
		<description><![CDATA[

Posted on several design blogs already, but worth mentioning nonetheless. I love it because it conveys precisely the information it needs to and nothing more. Because it’s Paul Rand. (via Monoscope)
]]></description>
		<link>http://stefpause.com/art-design/the-business-card-of-paul-rand/</link>
			</item>
	<item>
		<title>Sipapu, Looking Up</title>
		<description><![CDATA[

via PDN Photo of the Day.
]]></description>
		<link>http://stefpause.com/photography/sipapu-looking-up/</link>
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